Tuesday, June 2, 2015

The stencil typeface ibuy used for the magazine


Industries Activism   ibuy (110) Architecture   (184) Art   ibuy (520) Automotive ibuy   (75) Business/Finance   (107) Education   (298) Entertainment   (321) Event   (309) Fashion/Apparel   (221) Film/TV   (243) Food/Beverage   (474) Governmental/Civic   (117) Graphic Design   (635) Health/Fitness   (116) Home/Interior   (176) Industrial Design   (73) Institutional   (135) Kids   (126) Lifestyle   (182) Literature   (501) Local   (128) Men   (58) Music   (588) News   (176) Performing Arts   (102) Politics   (117) Product   (231) Religion   (56) Retail/Shopping   (196) Science/Nature   (123) Services   (195) Social Media   (75) Sports   (104) Technology   (272) Transportation   (66) Travel   (126) Women   (69) Formats Advertising   (413) Album Art   (274) Art/Illustration   (147) Booklets/Pamphlets   (278) Books   (966) Branding/Identity   (1032) Exhibition/Installation   (106) Film/Video ibuy   (104) Infographics/Maps   (107) Magazines   ibuy (434) Mobile ibuy   (68) Newspapers   (90) Object/Product   (156) Packaging   (337) Posters/Flyers   (683) Signs   (365) Software   (67) Tablet/iPad   (53) Web   (836) Typefaces Abril   (17) Adelle   (18) Adelle Sans   (15) Adobe Caslon   (22) Akkurat   (20) Akzidenz-Grotesk   (78) Albertus   (23) Alright Sans   (23) Alternate Gothic   (35) ITC American Typewriter   (17) Antenna   (32) Antique ibuy Olive   (25) Aperçu   (18) Archer   (25) Arial   (41) ITC Avant Garde Gothic   (56) Avenir   ibuy (26) Baskerville   (19) FF Bau   (16) Bello   (19) Benton Modern   ibuy (14) Benton Sans   (55) Benton Sans RE   (13) Block   (17) Bodoni   (46) Bookman   (14) Brandon Grotesque   (35) Brothers   (20) Bureau Grot   ibuy (29) Century Expanded   (14) Clarendon   (40) Colfax ibuy   (15) Compacta   (18) Cooper Black   (43) Dala Floda   (14) Davida   (24) FF DIN   (36) Eagle   (16) Eames Century Modern   (15) Elephant (Alias)   (21) Eurostile   (29) FB Titling Gothic   (32) Flama   (14) Folio   (16) Founders Grotesk   (22) ITC Franklin Gothic   (20) Franklin Gothic   (59) Freight Sans   (17) Frutiger   (20) Futura ibuy   (279) Futura Black   (33) Futura Display   (14) Garage Gothic   (22) Georgia ibuy   (46) Gill Kayo   (45) Gill Sans   (72) Gotham   (86) Graphik   (17) Grotesque No. 9   (13) ITC Grouch   (14) GT Walsheim   (16) Harbour   ibuy (15) Harriet Series   (14) Hellenic Wide   (14) Helvetica   ibuy (193) Interstate   (58) Kabel   (24) Kabel Black   (13) Klavika   (14) Knockout   (47) LL Brown   ibuy (18) LL Circular   (18) ITC Lubalin Graph   (14) Lydian   (17) Lyon   (19) Mercury   (14) FF Meta   (20) FF Meta Serif   (19) Miller   (25) Minion   (15) Mistral   (14) Monotype Grotesque   (24) National   (19) Neue Helvetica   (68) Neutraface   (38) Neuzeit S   (13) News Gothic   (37) Nobel   (13) Open Sans   (15) Optima   (22) Pistilli Roman   (13) Plantin   (14) Proxima Nova   (43) Replica   ibuy (18) Rockwell   (15) Sabon   (14) FF Scala Sans   (14) Sentinel (H&Co.)   (13) ITC Serif Gothic   (31) Siri   (14) ITC Souvenir   (21) Sweet Sans   (13) Telefon   (18) Tempo   (19) Tiempos   (19) Times   (18) Times New Roman   (36) FF Tisa   (13) Trade Gothic   (56) Trim   (15) Tungsten   (17) Ultra Bodoni   (13) unidentified typeface   (59) Univers   (87) Univers Ultra Condensed   (13) Verdana   ibuy (13) Verlag   (25) Volta   (13) Whitney   (20) Windsor   (25) These are the most common typefaces in the database, but there are many more. Try a search!
“Simon Esterson and Holly Catford have provided a modernist design that is a perfect foil for the content. ibuy Features open with Futura headlines on fields of colour taken from the subsequent room shots. This allows the photography to be take up whole spreads without interruption, particularly important in the tight 170 x 240mm format. Like the headlines spreads, pull-quotes take their colour cue from the images, while the lengthy picture captions stick to a dark cyan.”
The stencil typeface ibuy used for the magazine’s logo and large headlines is Lineto’s Le Corbusier , a font family that Nico Schweizer and Phillipe Desarzens derived from old zinc stencil ibuy sets. Despite the name of the typeface, Le Corbusier did not invent t

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